QuizRiddles
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0 of 6 answered

1Which British series, first broadcast in 1963, is recognised by Guinness World Records as the longest-running science-fiction television show?

2Why are long-running daytime dramas called 'soap operas'?

3The Emmy Award takes its name from 'Immy'. What was an Immy?

4The 1950s comedy 'I Love Lucy' made which production method standard for sitcoms?

5What was the 'Laff Box', built by the sound engineer Charles Douglass in the 1950s?

6John Logie Baird gave the first public demonstration of television in London in 1926. What kind of system did he use?

Answer all 6 to see your result, or let the timer finish for you.

Did you know?

How television shows came to look the way they do

Television was not the work of one inventor. After the mechanical experiments of the 1920s, the American Philo Farnsworth transmitted the first fully electronic picture in 1927, and engineers in several countries improved on the idea. In November 1936 the BBC began the world's first regular high-definition service from Alexandra Palace in London. Regular programmes, schedules and the idea of a weekly series followed quickly.

Seasons, pilots and formats

The shape of a series depends on where it is made. American networks traditionally ordered a trial episode, the pilot, and then a season of about 22 episodes shown between autumn and spring. British series have usually been much shorter, often six episodes written by one or two people. In Latin America the telenovela tells one complete story across roughly a hundred or more episodes and then ends, unlike a soap opera, which is designed to run with no final chapter.

Counting the audience

Because advertisers paid for most programmes, broadcasters needed to know who was watching. In the United States the Nielsen company began measuring television audiences in 1950, using diaries and later meters attached to sets in sample homes. A rating is the percentage of all households tuned to a programme. The largest audience for a scripted episode there is still the final episode of the comedy-drama M*A*S*H in 1983, seen by about 106 million people.

From schedules to streaming

For decades viewers had to be in front of the set at the right time. Home video recorders in the late 1970s introduced time-shifting, and DVD box sets later encouraged people to watch several episodes in a row. Streaming services arrived in 2007, and from 2013 some began releasing a whole season on the same day. Writers responded with longer, more connected stories, and the person in overall creative charge of a series came to be known as the showrunner.