QuizRiddles
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0 of 6 answered

1Vivaldi's 'The Four Seasons' was first published in 1725 with what extra text?

2The piano's original full name, pianoforte, describes what new ability?

3In Haydn's 'Farewell' Symphony of 1772, the musicians stop playing and leave one by one. Why did he write it that way?

4As a young man in 1705, Bach walked about 400 km to Lübeck to hear which famous organist?

5The French court composer Jean-Baptiste Lully died in 1687 after an accident involving what?

6The tuning note A = 440 Hz was widely agreed at an international conference in which year?

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Did you know?

How classical music took shape

The term classical music is used loosely for several centuries of Western art music, but historians divide it into eras. The Baroque period, roughly 1600 to 1750, includes Vivaldi and Bach. The Classical era, about 1750 to 1820, belongs to Haydn, Mozart and the young Beethoven, and the Romantic era runs through most of the 1800s. Each period brought new instruments, forms and ways of paying composers, and these changes shaped the music itself.

Composers and their employers

For centuries most composers were employees. Churches, city councils and noble courts paid them to supply music for services, dinners and celebrations, often demanding new pieces every week. Haydn worked for the Esterházy family for nearly thirty years, writing symphonies, operas and chamber music for the prince's orchestra. Public concerts and music publishing grew in the late 1700s, and by the 1800s composers could earn a living by selling tickets and printed scores to a wider audience.

Birth of the modern orchestra

Early orchestras were small, usually strings with a harpsichord filling in the harmonies. Over the 1700s, composers added pairs of oboes, horns, flutes and bassoons, and by the time of Beethoven's later symphonies, trombones and extra percussion had appeared. Valves, invented in the early 1800s, let horns and trumpets play every note of the scale. A large Romantic orchestra could include more than ninety players, several times the size of Bach's ensembles.

Keeping everyone together

Before conductors became standard, the leader was often the first violinist or the keyboard player, who kept time with nods and gestures. As orchestras grew, a dedicated conductor became necessary. Composers such as Carl Maria von Weber and Felix Mendelssohn helped popularise the slim baton in the early 1800s. Agreed tuning standards mattered too: touring musicians and instrument makers needed the same pitch so that players from different cities could perform together.